
Is anybody out there??
Welcome to the machine…
How does one put into words the performance that I just witnessed? It is tough really. I’m sure you are wondering what this is all about? Well, last night (Nov. 23rd), several of us went to see The Australian Pink Floyd Show (TAPFS), or Aussie Floyd for short. These guys (and gals) are a tribute band to the great Pink Floyd. But these guys are not just your run of the mill tribute band. These guys are “endorsed” by the actual members of Pink Floyd. It really doesn’t get any cooler than that! Aussie Floyd have partied backstage with Pink Floyd, they have played at David Gilmour’s 50th birthday party, and they have played with Pink Floyd. I don’t know too many (actually I couldn’t name another without doing any research) tribute bands that are endorsed by the bands to which they lay tribute.
Before we get to the review… I must say thank you to Matt Geraghty (and his dad) for even suggesting we see this show. I had not heard of this show before it was mentioned and there wasn’t much advertisement about the show. Matt was also able to get us great seats (14 rows back, stage right). And yes, seats…we sat down for nearly the entire show with very little obstruction (from big headed tall people). There was no opening band and at about 8:10pm the show began. The lights went dark and the dull thud of a heartbeat began to pound the theater. Slow and steady, a strong heartbeat with increasing volume. (I must say this was the first concert that I remembered to bring ear plugs. And they do make a difference. There is no ringing of the ears or pounding of the head. And we were able to still hear clearly. I think earplugs will be a staple at any concert I attend, especially since I need to hear for a living.)
The stage setup was quite authentic. A large circular screen (Division Bell-esque), center stage rear, surrounded by a circular lighting rig, was the main focal point. Here is where all the animation and video footage was directed. There were two projectors hung from the ceiling rig. One projector was dedicated for the circular screen, and the other was for the rest of the back drop. (or one was for backup.) Of course there were several banks of lights on the ceiling rig and then 30 or so multidirectional spot lights with multiple colors positioned strategically throughout the stage. There were also several smoke machines to increase the eerie effects that high powered beams of light can produce when cutting through the wispy smoke. And a Floyd show would not be complete without the large animal figures used to instill fear and drama to the melodramatic. In this show there were two – a large head of a pig (really a boar) and a large kangaroo. What would an Aussie show be without kangaroos? Also included in this show is the largest (largest I’ve ever seen) mirror ball known to man. That thing must’ve been 6ft in diameter, at least 6ft!! It was super impressive, especially when every spot in the theater was aimed at it.
On to equipment now…Drum kit on a riser on back just left of the circular screen. Dual bass drums and an assortment of cymbals and other percussion equipment kept the beat with conviction. On a riser in the back right of the stage were the keyboards—this guy looked like he was Van Zant of Lynyrd Skynyrd with the long hair, beard and wide brimmed Hi-Roller hat.. Directly in front of the keyboardist was where the ladies of TAPFS stood, swayed in unison, and sang with power. Front stage left was the bassist and his rig (he was using Fender basses), center stage was a guitarist and his rig (he had dual Fender amps and used Fender Strats. He also had a rack of effects directly behind him. He also had this bionic looking mic stand that included his tuner, his slides, his talk box tube and who knows what else), and stage right was the other guitarist (from my vantage point I could tell what equipment he had up on stage, other than his Fender Strats and an obvious stop box/multi-effects pedals). Most of the vocals were done by the guitarist on the right side of the stage. The bassist and center guitarist also contributed with some vocals. I guess now would be a good time to introduce the members of the band instead saying guitarist right, guitarist center, etc. The drummer is Paul Bonney. The keyboardist is Jason Sawford. The bassist and vocalist is Colin Wilson. Okay, Colin from what i've read recently, Colin is not the bassist. Ian (don't know his last name is filling in). The lead guitarist and vocalist is Steve Mac. The rhythm/lead guitarist and main vocalist is Damian Darlington. I believe Damian also plays keys on a song or two. There was also a very animated saxophonist, who did an amazing job, but I didn’t catch his name nor is he on the website.
Back to the show…now as stated before, the showed stared out with the thunderous heartbeat…this started off the complete Dark Side of the Moon (DSOTM) album. I think every song was accounted for. The sound was impeccable. The bass response was very dominant…so dominant that my clothes were moving from the low frequency sound waves oozing from the large bass cabinets. The thunderous pounding was so deep that you could feel it throughout your bones and even made it difficult to breathe at times. It was beautiful, absolutely beautiful. Following the completion of DSOTM album, Aussie Floyd took a break. This was probably my only complaint of the night … it just seemed odd that the band was going to take a break. The break lasted for about 20 minutes or so.
Towards the end of the break the crowd was starting to get agitated…but the agitation didn’t last long as the lights dimmed again. TAPFS started the second part with Shine on You Crazy Diamond, followed by a wonderful rendition of Sorrow. Sorrow was followed by a song that I had not heard before—The Fletcher Memorial Home. Another Brick in the Wall, Careful with That Axe Eugene, Wish You Were Here, followed in sequence. Bring on the pig….The following song Pigs (three different ones) brought out the giant inflatable boar with evil red glowing eyes. Heather is not a fan of pigs, so she didn’t look off to the right very much during this song. The next song was One of These Days, which brought out the large inflatable kangaroo, Skippy. Skippy bobbed up and down in rhythm of the beat…with human help of course. The last song in the main set was Comfortably Numb. Comfortably Numb is probably one of my favorite Pink Floyd songs and I was absolutely blown away with that performance. Words cannot describe how intense and wonderful this song was performed. Towards the end of the song emerged the giant mirror ball. The spectacle of dizzying lights dancing across the venue helped the mind take in the full sonic and visual experience. TAPFS took a short break before the encore. After Comfortably Numb, I was uncertain how you can finish as strong as the previous song.
Well, to be honest, they didn’t finish as strong…but it was still a great encore finish. They finished off the concert with a shout out to their road crew. Not many bands thank their road crews publicly, and I thought this was a nice touch. After all it is the road crew that is truly responsible for the visual look of the show, which is just as important as the sonic portion. In the Flesh and Run Like Hell finished off the show
Visit Tarik's website for a short review and some pictures.
I have never seen Pink Floyd before, and I’m not sure that I ever will. If I never get that chance, I can at least say that I saw the closest thing I’ll ever see to Pink Floyd and this show was truly an experience. I can’t say this was the best concert I’ve ever seen as I think David Bowie still holds that mark. But it was a close second or third. I will definitely be making their second stop in Houston…if they choose to come back this way.
High Hopes



